![]() ![]() This essay appears in _Romantic Psyche and Psychoanalysis_, a volume of _Romantic Circles Praxis Series_, prepared exclusively for Romantic Circles (), University of Maryland. In _The Writing of the Disaster_, Blanchot testifies to his childhood experience of a premature death that emptied the sky of significance, suggesting (with Winnicott) the the unrecognized trauma attached to ordinary sights, and-by extension-the problem of autobiography. Other poems by Wordsworth-'A Night Piece' and 'The Discharged Soldier'-open transcendental or deathly vistas relating to the sky. Taking as its point of departure Wollheims autobiographical observation about a sight that stirred him to melancholy, this essay explores a series of passages that attest to Wordsworth's fixation on similar sights in poetry associated with the composition of 'The Ruined Cottage'. Early Shelley: Vulgarisms, Politics, and Fractals.Romanticism and Philosophy in an Historical Age.The 'Honourable Characteristic of Poetry': Two Hundred Years of Lyrical Ballads.Re-reading Box Hill: Reading the Practice of Reading Everyday Life.The Containment and Re-deployment of English India.Reading Shelley's Interventionist Poetry, 1819-1820.Finding Romantic Commonplaces: A Dialogue with Jerome Christensen."Waiting for the Gift: Velvet Goldmine and the Bowie-Image". ![]()
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